You and I pretend to keep the extra heartbeats and moods that follow — wagons loaded full of words to pull against the bright sky empty because we cannot fly.
*
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Poems, thoughts, and stories.
You and I pretend to keep the extra heartbeats and moods that follow — wagons loaded full of words to pull against the bright sky empty because we cannot fly.
*
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for KG
The air smelled all Georgio and ocean in LA and my body worked so well I felt nothing, nothing, which is what health and vitality are, feeling nothing but heat on the bed, body on the sheets, the summer smell of my body in that not-new crusty motorhome parked outside Aunt’s house at the top of a street on a hill on a curve. It shouldn’t have worked parking on the ridge between Torrance and, over there, Redondo. The street was too small but she loved that RV and parked it in front of her house after she picked me up at Beck’s, my other grandpa, the one I hadn’t seen in so long. He didn’t know where I’d been or why, how I hitchhiked across the Utah desert and Nevada and slept with a truck driver in a cheap motel with shitty beds because I was fourteen and my step-dad threw me out of the car in Salt Lake.
He didn’t ask and I didn’t say. She knew but didn’t say anything. We had that in common.
I sometimes go back to that hill but nothing’s there anymore except I am in that bed over the cab, my own little place because there was no room in Aunt’s house. She acted embarrassed but to me it was heaven and I told her I couldn’t think of a more-fun thing to do. I ran to it that first night to fuck around because I was only fourteen and didn’t know how to pick up sex then and the whole thing was mine so I jammed myself thinking about the missionaries that used to come knocking on the door and the new nylon shorts I was wearing, the blue running shorts she bought me with the slit up the leg so high, and I couldn’t be stopped and nobody was around and they probably couldn’t see even though the little cab-light was on and they probably saw, or saw the camper moving, but I didn’t think about that too long because it felt so good. Nobody said anything the next morning, not even her son, even though he looked at me weird and they’d have to be blind not to see.
I was a nice boy everyone pitied because I was not strong and who my step-dad married. Someone once said at his church “For what he’s been through…Heavenly Father sure made him smart.” Skinny arms and twig legs and desire for those missionaries, desire so wild I yelled the first time I came and then it became a contest to see how far it could go until I knew I was gay and not just friends with guys and my first thought was “Cool.” Then all hell broke loose again and I’m almost fifteen in an RV parked on a curve at the top of a hill. I want so many guys I feel like a whore back when being a whore was dangerous because AIDS was out so I’m fucking around above the cab amazed at how I smell and happy. Aunt drives me to Universal Studios the next day and says she thought she washed the sheets but evidently not and opens the windows as she drives up the 405 freeway. This is the first time I feel like a man. Everything changes. I didn’t think it would — I wanted time to kiss Bryce and use my body with him and have someone beautiful take me away. But she smelled the sheets and I was proud and didn’t need Bryce or mom or a dad because I was sure.
It’s all good now. There’s no need to go back to my glorious skin or dream other whores out there waiting to be touched and taken and left so they can go to work the next day and then home to kids and husbands who know nothing. I go back to that bed over the cab that smelled of sweat and cum because I love how the story began and I watch everything that’s happened and say:
“Fuck you were a skinny whore.”
I feel good. I feel fifty while I sit at the table, stay up for the words because they are strong and true and because this is who I want to be, where I want to be, writing under a crap light while people wonder what the fuck I’m doing parked on this goddamn hill.
Photo by Sebastian Huxley on Unsplash
*
The coffee pot sticks a little to the warming plate. Sliding-glass door’s a bit rusty. I love it cracked open, lake-smell gets in, grass and summer rain, trees on the breeze — maybe the morning doves will come again. It’s good to feel stiff old shag, see stacks of books we’ve partly read, stacks and stacks. Your grandpa’s kitchen table, Ruth’s worn chair, dusty Mantovani on the player. Paintings hang crooked, curl on paneled walls, fading in memory and slow-days, that other house, the city one, already forgotten.
*
He lives in my garden; only I have the key. There is no gate, no lock to un-lock like those posh private parks, just a tree and some grass, balloons from a story and maybe an old bottle of wine we bag before law comes spinning around, on the hunt for happiness. Over there is our first kiss on the stone pier they said Cortés built, stretching out into a tequila moon; and where that old lady sits, remembering or forgetting: a flight to somewhere, one screen lit in the dark, yours, watching the same movie, three times. He is my garden; only I have the key. No sock-puppet politician or fisting Missouri FratBoy can trespass our grass, mock our tree, pull down those balloons. He is my garden, eternally lost except to me, safe like drunk wine and watched movies, invisible to those who don’t speak love, far from parched howls and Christians, close as breath.
*Dedicated to Josh Hawley, who thought his own hand was up in the air as he declared war.
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The sun feels good in this world,
warm,
wide-windowed breeze
and your brown clone sunglasses
with golden wire frames.
I think I’m falling.
With you, my skin is tanned to sand,
porch-picnic-ready,
your mom asking “So is he
treating you good?”
When I say yes,
she gets that twinkle
so I know what she means.
I nod, shy; she smiles,
proud of her son.
I sit in your world
and we all eat chicken and talk
about school and
TV and
how you know when you’re in love.
(They had a lot of wine.)
Here, your parents are mine;
they don’t have to say
I’m welcome.
Now I remember:
Mom hides fear in her smile
while dad tries hard to forget
me,
sewn up tight as he
feasts on fury.
I am a billion sand-pieces
waiting for glass.
“Come on,” you say.
“The road’s too cool
for that.”
So I wrench out of then,
kiss this
forget that
for now.
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Library of Memory, finger on the spines that hold together me. Oh, I do not like this book! (Though I’ve read it a thousand times.) I was too young to understand. How was I to know? (I knew.) One night sags the shelf that ought to be in the Restricted Section (like the old days, when you had to ask for the books with drawings). These spines are warped. Horrible! I move on. My, this one is beautiful. Just look at its golden cover: “Full of greeting cards and fairy tales.” Here, I learn right from wrong and begin to build My Best Self. Things work out in this book (just like a Hollywood movie). Grandma really likes it. I really should read it someday. But they said I could take out only one. Maybe this one? Bright and Sunny Days? And there are other rooms, futures I’ve never visited, a place for faith. Philosophy. I really should… as I bow my head, reach for Mistakes and turn to you.
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Where did this weight — solid rock crushing my chest into spine — come from? “You know very well. That fight? Fourth grade? Wyoming?” Yeah. So maybe it's time to build a house with that old stone and move.
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