Learning to Spell

Spirit says: “Your words create 
your world. Shoot for the stars.”

I say: “I’m 17 again...
only this time, this time!
I’ll go straight to the SavOn
(remember those?)
and buy hair-clippers to
shave my back and chest and arms
(I can handle the chest and arms
but I’ll have to find someone to
do the back – maybe Grammy,
she always seemed to know
what direction I was headed).
I’ll work out and run with my shirt
off, and then when I see Jason
at the Dales Jr. liquor store
and he gives me those eyes I’ll
ask him if he wants to go to
Carney’s to get food and he won’t
take his beautiful eyes off my
hunky arms and chest.”

Spirit says: “Don’t say will. Say Am.
BTW, he was already into you. Why shave?”

So I say this: “Okay, wait.
Maybe just the back.
Maybe that’s the way Jason and I
become friends because he is already
giving me those deep blue eyes
in class, so I don’t think he
minds clipping my back as we talk
in French and he tells me I’m
smart and I tell him ‘Let’s go get
food at Carney’s’ because I’m an
idiot, but then I see I’m being an idiot
so I give him a kiss and we roll around
for an hour or two until his Dad gets home
and we race to get dressed before he
comes upstairs laughing because
he already knows.”

Spirit says: “Don’t say MAYBE.
If you’re sure, it’s happening.”

Happening?
What did happen?
Forty years happened.
Life happened. Death happened.
Dave. Hmmm.

So I say this: “I’m 17. I’m at
Dales Jr. I’m skinny and hairy and
think I might be gay but I don’t know
because I’m scared of all the prostitutes
over in Santa Monica and it’s 1986 and
there’s AIDS and no one to talk to.
I’m buying Jim Beam for my Dad and
run into Jason. His hair is perfect
eighties, swooped back and free.
We talk. We’re shy. I want to kiss.
He leaves after waving goodbye.
He doesn’t want to go.
I float home and have a drink with
my Dad. He says there’s something
different about me. I say nothing.
But I know how I feel.”

Spirit pauses: “That’s what happened.
Those were terrible years.
Jason broke your heart. Badly.
Why go through all that again?”

I can hear hope in his voice.
He only wants me to say what’s true.

So I speak truth.

I say: “Why mess with perfection?
What I want to know is:
will I remember any of this?
It’s been wild so far!
Wait!
Don’t tell me!
I don’t want to know!”

Spirit says: “Good answer.”
He laughs as I fall asleep.

Such a bastard.
But a good bastard.

*

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The Way To Become Unjealous

Think of your favorite porn star,
the one with the big pecs and fabulous
smile (you know the one),
wiping his ass after taking a shit.
Way more than four squares,
more like forty because
it was a messy morning,
what with the viagra and
laxatives.

Think of him getting off the toilet
and jumping into the shower,
frustrated, behind schedule,
because it’s just easier to let the
water wash all that shit down.

Suddenly, do you see his flat feet?

*

Mind

It’s exhausting preparing for every future.
When you’re nearing 60, escaping sounds good.
A quantum jump, not the other kind.
They tell me not to think about it, but
I keep hoping I wake up in another life
so relieved there are tears
and a huge smile, reset.
It’s happened before. I was being convicted
of a crime I didn’t commit. Then I woke up!
I need it to happen again.
Maybe it will again.

It’s exhausting preparing for every future.
One of them is might be good.
They tell me to focus here:
wearing underwear again in the locker room,
or walking naked, flexed. “You got this!”
To get there means hope,
but every permutation is a possibility,
most of them breath-taking.
When am I going to wake up,
relieved I’ve escaped, a smile on my face,
reset but somehow, still here?

It’s exhausting preparing for every future.
I’m told there is no future, not really.
“It might never get here.”
The past can’t get here either.
“Not if you don’t let it!”
Nothing to plan for,
nothing to run from.
Just this Now. Always capitalized.
A typewriter. Music. Peace.
Maybe a frozen fruit smoothie.
I should have a frozen fruit smoothie.
I’ve always liked those.

It’s exhausting preparing for every future.

*

Letters

They put a pencil in your hand, a big fat one
made for little fingers to copy out
letters drawn around the edges of the
ceiling.

They look pretty, so you draw them again
and again, over and over,
pages and pages of letters,
and get awards for how perfectly they
fit together. Everyone is happy.
You are happy. All those letters
copied over and over again –
everything should be that beautiful –
copied until you can spell out:

"There’s no escape."

Words that belong to someone else,
generations of else’s,
carved with your fat pencil onto every
piece of paper you can find.

That’s when you stop winning awards.

*

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