Reading

It begins.  It ends.
The story goes on.
Footsteps on the ceiling,
toilet flush, water rinse,
softer not-fast feet
take time now that the rush
is over,
there’s room for words and maybe
a laugh
(he never laughs, but they do).
A crunch.  Munchy-crunchy. Fun.

He must have it —  women in 
a steady stream says stud, right?
They spend the night once or twice, 
seem sated, smile in the elevator next-day.
He must have it. Yes.

But the story has another side,
an aside, something in the margin:  
the crashing lasts but a paragraph,
sometimes two if the writer is good,
mark the start and mark the finish
and then the toilet and the water
and the softer feet
another paragraph another night
another woman smashing the headboard
into sentences that end
all
too
soon

measuring exposition and completion

line-by-line

as that steady stream
is suddenly understood.

(from I Can See You — A Collection of Neighbors)


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